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Íîâîñòè ãðóïïû Àëüáîìû
Ìàòåðèàëû îòñóòñòâóþò
Àëüáîìû Íàéòè ìóçûêó

Ïîäñòèëü

Ïîäñòèëü

Îñíîâíîé ñòèëü
Äîáàâèòü â TOP10

The Creepshow


« Sell Your Soul »



The Creepshow "Sell Your Soul" Ãîä

2006



Ôîðìàò

CD Album



Ñòèëü
Horror Punk

Îöåíêà

9

/10





N Íàçâàíèå
1The Sermon (0:33)
2Creatures of the Night (2:42)
3Shake (3:38)
4Sell Your Soul (2:41)
5Cherry Hill (2:57)
6Candy Kiss (3:48)
7Grave Diggers (2:03)
8Zombies Ate Her Brain (1:29)
9The Garden (3:36)
10Doghouse (4:37)
11Psycho Ball & Chain (2:48)
Ñîñòàâ ãðóïïû->
Jen "Hellcat" Blackwood - lead vocals, guitar
Sean "Sickboy" McNab - upright bass, backing vocals
The Reverend McGinty - keyboards, backing vocals
Matt "Pomade" Gee - drums
Èíôîðìàöèÿ
Released on Stereo Dynamite Recordings.
Distributed by EMI Music Canada.
Recording, mixing and mastering by Steve Rizun.
Drums and bass recorded at Orchard Studios.
"Doghouse" music, lyrics and additional guitar by Hooch of The Matadors.
Harmonica on "The Garden" by Mike Blackwood.
All background vocals by The Creepshow and SnaX Rebo.
Design and photography by Ashlea Wessel at Revolver Photography.
Illustrations by Jen "Hellcat" Blackwood.
"Psycho Ball and Chain" lyrics inspiration by Emma.
Òåêñòû ïåñåí
1. The Sermon

Into the darkness if you dare
To walk amidst the sleeping air
Where ghouls be seen and ghosts be near
Beyond the gates of hell you fear
They hide in shadows, lie in wait
A bitter end will be your fate
When shocking terrors come to sight…
These are the creatures of the night
Ñêðûòü/ïîêàçàòü



ÊîììåíòàðèèÑêðûòü/ïîêàçàòü 1 )

Êîììåíòàðèè ìîãóò äîáàâëÿòü òîëüêî çàðåãèñòðèðîâàííûå ïîëüçîâàòåëè.
Âû ìîæåòå çàðåãèñòðèðîâàòüñÿ íà ñàéòå èëè çàëîãèíèòüñÿ ÷åðåç ñîöèàëüíûå ñåòè (èêîíêè ââåðõó ñàéòà).

4 ÿíâ 2013
Çäîðîâñêàÿ êîìàíäà, áîäðûé ìóçîí. È ýòîò àëüáîì ïîæàëóé ñàìûé-ñàìûé ó íèõ. Îñòàëüíûå íåíàìíîãî, íî ñêó÷íåå.

Ïîèñê Ñòèëè Ïàìÿòêà Ñòàòèñòèêà

Êàíàäöåâ THE CREEPSHOW ìîæíî áåç ïðåóâåëè÷åíèÿ íàçâàòü ñàìûì ÿðêèì ÿâëåíèåì, êîìåòîé íà ñîâðåìåííîé female fronted ñàéêîáèëëè-ñöåíå. Ïîñëå ôîðìèðîâàíèÿ èì ïîòðåáîâàëñÿ âñåãî ãîä, ÷òîáû âçîðâàòü è ðàçìåòàòü â êëî÷êè ñàéêî-ìèð ñâîèì äåáþòíûì àëüáîìîì “Sell Your Soul”. Ïðîùå âñåãî ýòî ìóçûêó îïèñàòü ñòàðûì äîáðûì òåðìèíîì «ðîê-í-ðîëë». Äà, ýòî èìåííî ðîê-í-ðîëë â ñîâðåìåííîé åãî òðàêòîâêå – ìîùíûé, äðàéâîâûé, öåïëÿþùèé ñ ïåðâûõ ñåêóíä è áåñïðåäåëüíî õèòîâûé. Ðèòìè÷åñêàÿ îñíîâà, ñîçäàâàåìàÿ ìÿñèñòûì êîíòðàáàñîì è ÷åòêèìè óäàðíûìè, êàê ïðàâèëî, ïðåäñòàâëÿåò ñîáîé òèïè÷íåéøèå ñâèíãîâûå 2/4, íî è òàì, ãäå îíè ìóòèðóþò â ðîê-í-ðîëëüíûå 4/4, ñâèíã ëåçåò èçî âñåõ ùåëåé; “Candy Kiss” – âîîáùå ñâèíã êàê îí åñòü, òîëüêî èçðÿäíàÿ àðàíæèðîâî÷íàÿ ïîíþøêà ïàíêà íàïîëíÿåò âåùü áåçóìíîé ýíåðãåòèêîé.  îáùåì-òî, ýòî è åñòü îñíîâà îñíîâ ñàéêîáèëëè – íàëîæåíèå ïàíêîâûõ ðèôôîâ íà áåçîáèäíóþ ðèòìè÷åñêóþ îñíîâó ñâèíãà èëè êàíòðè. Êñòàòè, â ìóçûêå THE CREEPSHOW ïðàêòè÷åñêè íåçàìåòíû õàðàêòåðíûå äëÿ ñàéêî ïåðêóññèîííûå ùåë÷êè ñòðóí êîíòðàáàñà î ãðèô, äà è êàíòðè, íà îñíîâå êîòîðîãî ðîæäàëñÿ ñòèëü, ïðîãëÿäûâàåò ðàçâå ÷òî íà “The Garden”, ãäå î÷åíü óäà÷íî èñïîëüçîâàíà ãóáíàÿ ãàðìîøêà. Åùå ìóçûêó îòëè÷íî ðàçíîîáðàçÿò ìîìåíòû, êîãäà áàðàáàíû ñ áàñîì, ëèáî ãèòàðà ïîëíîñòüþ ñìîëêàþò, è âîêàë çâó÷èò ïîâåðõ îäíîãî ëèøü èíñòðóìåíòà.  îáùåì, õîòåëè ìîäåðí-ðîê-í-ðîëëà – ïîëó÷èòå è ðàñïèøèòåñü. Ñîçäàíèå àòìîñôåðû îòäàíî íà îòêóï êëàâèøíûì, - êàê ïðàâèëî, ýòî ñèíòåçèðîâàííûé îðãàí, âñå âðåìÿ íàïîìèíàþùèé ñëóøàòåëþ î õîððîð-òåìàòèêå è ïîìîãàþùèé âîñïðèÿòèþ ïðîñòåíüêèõ òåêñòîâ î çîìáè, âóðäàëàêàõ è ãðîáîêîïàòåëÿõ (âïðî÷åì, åñòü è ïåñåíêè, îñíîâàííûå íà ëè÷íîì îïûòå è ïåðåæèâàíèÿõ, íî âåñåëóõà èç íèõ íèêóäà íå èñ÷åçàåò, äîñòàòî÷íî ïîñëóøàòü íàïèñàííóþ ïàðíåì Äæåí Õó÷åì èç ñàéêî-áàíäû THE MATADORS “Doghouse”; îñîáåííî äîñòàâëÿþò òåëåôîííûå çâîíêè Õó÷à â êîíöå ïåñíè). Ðåàëüíî ñèëüíûé è êðàñèâûé âîêàë Äæåí Áëýêâóä ïîäêðåïëÿåòñÿ áýêàìè ÌàêÃèíòè è ÌàêÍàáà; íà êîíöåðòàõ ýòè «óîîîî» ÷àùå âñåãî ïîäõâàòûâàþòñÿ òîëïîé ôýíîâ. Ïî âîêàëüíîé ïîäà÷å âûäåëÿþòñÿ “Grave Diggers”, ãäå ïàðòèè ïðàêòè÷åñêè ðàâíîìåðíî ïîäåëåíû ìåæäó «Ìåãåðîé» Äæåí è êåì-òî èç ïàöàíîâ, à òàêæå “Doghouse”, êîòîðàÿ ïðåäñòàâëåíà â âèäå äèàëîãà ìåæäó âîêàëèñòêîé è âûøåóïîìÿíóòûì Õó÷åì. Ïðàêòè÷åñêè âñå ïåñíè èñïîëíåíû â áûñòðîì òåìïå, èñêëþ÷åíèå ñîñòàâëÿåò ëèøü ëèðè÷íàÿ è î÷åíü êðàñèâàÿ “The Garden”, íà êîòîðóþ áûë ñíÿò ïðîôåññèîíàëüíûé êëèï, ãäå ñâîé àíãåëüñêèé ëèê ïðîäåìîíñòðèðîâàëà ìèðó ìëàäøàÿ ñåñòðåíêà Äæåí Ñàðà “Sin” Áëýêâóä (çàñâåòèëàñü îíà è â äèêî ïðèêîëüíîì home-made âèäåî íà “Zombies Ate Her Brain”).  îáùåì, ýòî âåëèêîëåïíàÿ ðàáîòà, êîòîðàÿ çàñòàâèò âàñ ïðè ïðîñëóøèâàíèè äðûãàòü íîæêàìè îò âîñòîðãà. Ñ îäíîé ñòîðîíû, îáèäíî, ÷òî êëèï íà "The Garden" ñòàë ïîñëåäíåé ðàáîòîé Äæåí â ãðóïïå, ñ äðóãîé – äàëüøå áóäåò íå õóæå. Íó à ÷òî áóäåò äàëüøå, âû óçíàåòå, åñëè ïîòðóäèòåñü îçíàêîìèòüñÿ ñ ýòîé ðàáîòîé – ïîâåðüòå, íà íåé âû íå îñòàíîâèòåñü.
Alice Malign9/109/109/109/109/109/109/109/109/109/10 8 ÿíâ 2011


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